An American book takes one of two routes, and they need different documents. Traditional publishing runs through an agent, and the agent buys the proposal — overview, comparable titles, author platform, chapter outline and two sample chapters — long before anyone reads a manuscript. Self-publishing skips that, but then the manuscript, the metadata and the categories carry the whole weight.
Production-ready output in the format your printer, platform or workshop actually needs — press PDF, editable source, CAD file, font binary or deck, as the work requires.
The working files, not just the export, so your team can change the work later without coming back to us.
Copyright transfers to you on final payment. Nothing we make for you is resold or reused elsewhere.
Included in the quoted price. Corrections are logged against the draft rather than argued over on a call.
You tell us what the finished thing has to do, and send whatever material you already have.
A written scope, a fixed figure and a delivery date, usually within one working day.
You sign off the architecture before production starts, so nothing large is built on a wrong assumption.
Work arrives in stages as it finishes, not all at the end, with two revision rounds included.
Files, sources and rights in your hands, and the invoice closed.
Typical extent is 180 to 320 pages with 40 to 120 figures. A single title runs eight to fourteen weeks; a ten-title multi-grade programme runs six to nine months and is staged by grade block, so the first books are in your hands while later grades are still in draft.
Because writers, translators, designers, draughtspeople and typesetters sit in the same building in Chennai, this can be commissioned together with everything around it: translation into any of a hundred-plus languages, the figures and illustrations, the typesetting, the presentation and the production files. One schedule, one point of contact, one invoice.
Pricing is quoted in US dollars and fixed in writing before work starts. Fifty per cent is payable in advance and the balance on delivery, with long projects staged so neither side carries the whole risk. Two revision rounds are included, and copyright transfers to you in full on final payment, together with the editable source files.
Overview, market and comp titles with real sales context, platform section, annotated chapter outline and two polished sample chapters — assembled the way agencies expect to receive them.
If you are querying agents we write the proposal first. If you are publishing independently we go straight to manuscript and handle metadata, categories and keywords from actual search data.
Chicago Manual of Style, US spelling and punctuation, serial comma, and dialogue and citation conventions American editors expect. A style sheet ships with the manuscript.
Set to US trade sizes — 5.5×8.5, 6×9, 5.25×8 — with the interior PDF, cover wrap calculated to your page count and paper stock, and files validated for KDP and IngramSpark.
Bowker ISBN blocks, US Copyright Office registration guidance, Library of Congress control number and CIP data block where your distribution needs it.
Claims sourced and checked, and a pre-publication read for defamation and privacy exposure on memoir and business books that name real people.
A full-length book runs six to eleven months; a proposal alone, six to ten weeks. Quoted in US dollars, invoiced with a W-8BEN-E on file, copyright transferring to you entirely on final payment.
Prices are fixed in writing before work begins. Scope, language count and turnaround move the figure; volume across a programme brings it down. Send the brief and you have a number within a working day.
Most single deliverables run three to fourteen weeks depending on length and complexity. Programmes are staged so early parts reach you while later parts are still in production. You get a date with the quote.
A specialist from our school & college course books team, with an editor and a production person on the same project. Everyone is bound by the same confidentiality terms.
Yes. Full copyright transfer, editable sources and production-ready files on final payment. Nothing is resold or reused.
Yes — any of a hundred-plus languages, typeset in the same studio so layout and page numbers match across editions.
Yes. Publishers, institutions and founders in the United States, United Kingdom, United Arab Emirates, Canada, Australia and Japan. Work is delivered by email and shared drive and quoted in US dollars.






Send the brief and we reply with a scope, a fixed price and a date — usually within one working day. Whole programmes are quoted the same way as single titles.
info@contentfactory.in · contentfactory14@gmail.com · Chennai, Tamil Nadu, India
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