Content Factory is a content and design studio in Chennai, headed by Hema, in its fifteenth year. Writers, translators, editors, designers and draughtsmen work on the same projects, to the same schedule, and invoice as one. Publishers, institutions and founders in seven countries send work here because it comes back finished, not half-finished and waiting on somebody else.
Nothing is drafted before the shape is agreed. A textbook starts as a chapter architecture; a deck starts as an argument written in sentences; a drawing set starts as a sheet list. You sign that off, and only then does anyone write, design or draw. It is slower for a week and far faster for the three months that follow, because the expensive rewrites never happen.
Work arrives in pieces as it finishes, not in one delivery at the end. If a chapter is going in the wrong direction you will know in week two, not week ten. Two revision rounds are inside the price, and corrections are logged against the draft rather than argued about on a call.
Subject specialists for textbooks and academic material, and long-form writers for books, reports and speeches.
Human translators across 100+ languages, working to glossaries agreed with you before the first page.
Structural editing, copy-editing and proofreading, with a separate pair of eyes on every final proof.
Typesetting, book layout, decks, brand identity and web — all working from the approved text.
Mechanical, civil, interior and product drawing sets to standard, with editable CAD sources.
One person who knows your file, answers on WhatsApp, and owns the delivery date.
Translation, subtitling and localisation, delivered by human translators rather than machine output.
Regular clients in India, the United States, Canada, the United Kingdom, Australia, the UAE and Japan.
Work delivered remotely; the studio itself has always been in Chennai.
Included in every quoted price, on every service.
The usual arrangement is a writer, a translator, a designer and a typesetter at four different desks in four different companies. Every handover loses something: the translator does not know which terms the writer fixed, the typesetter does not know which figures were revised, and nobody owns the date.
Here the same team carries the file from brief to press-ready. That is why a textbook can ship in three languages with the same page numbers, and why a deck can be rewritten on Tuesday and redesigned on Wednesday without a new brief.
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