Film Writing Services A–Z
+91 76679 70439 info@contentfactory.in
Content Factory — writing, design and web solutions, Chennai
Story · Screenplay · Dialogue · Development · Pitch

From idea to screenplay. From screenplay to global pitch.

The whole film-writing pipeline in one room: concept and logline, story and treatment, structure, scenes and sequences, screenplay and dialogue — then the character bible, lookbook and pitch deck a producer or studio actually reads. Interval and climax construction are treated as their own craft, and because translation sits in the same studio, a script can leave with its dubbing script and subtitles already cut.

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An academic writer drafting a chapter from source references
An editor proofreading a manuscript with a fountain pen
A consultant presenting a document to colleagues
A translator timing captions across twin screens
A draughtsman dimensioning an engineering drawing
A designer selecting a colour palette for a brand
The index

Forty divisions, from first idea to final draft

Click any line and it opens a WhatsApp message about that exact service, already written.

01 · Division

Film story development

What we produce · 16

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02 · Division

Feature film writing

What we produce · 10

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03 · Division

Screenplay writing

What we produce · 13

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04 · Division

Dialogue writing

What we produce · 17

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05 · Division

Character writing

What we produce · 25

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06 · Division

Plot development

What we produce · 16

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07 · Division

Screenplay structure

What we produce · 12

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08 · Division

Scene writing

What we produce · 15

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09 · Division

Sequence writing

What we produce · 14

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10 · Division

Interval block writing

What we produce · 11

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11 · Division

Climax writing

What we produce · 15

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12 · Division

Genre writing

What we produce · 49

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13 · Division

Adaptation writing

What we produce · 11

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14 · Division

Remake writing

What we produce · 10

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15 · Division

True story & biopic writing

What we produce · 10

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16 · Division

Period & historical writing

What we produce · 10

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17 · Division

Mass & commercial writing

What we produce · 13

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18 · Division

Realistic cinema writing

What we produce · 10

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19 · Division

Art & festival film writing

What we produce · 10

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20 · Division

Short film writing

What we produce · 13

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21 · Division

Documentary writing

What we produce · 12

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22 · Division

Animation film writing

What we produce · 10

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23 · Division

Film pitch writing

What we produce · 10

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24 · Division

Film pitch deck

What we produce · 18

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25 · Division

Film lookbook

What we produce · 14

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26 · Division

Director’s documents

What we produce · 11

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27 · Division

Producer documents

What we produce · 10

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28 · Division

Film bible

What we produce · 10

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29 · Division

Franchise development

What we produce · 10

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30 · Division

Sequel & prequel writing

What we produce · 10

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31 · Division

Script doctoring

What we produce · 12

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32 · Division

Script rewriting

What we produce · 12

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33 · Division

Script editing

What we produce · 10

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34 · Division

Production writing

What we produce · 12

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35 · Division

Film marketing writing

What we produce · 12

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36 · Division

Trailer & teaser writing

What we produce · 11

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37 · Division

Festival material

What we produce · 10

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38 · Division

Film localisation

What we produce · 11

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39 · Division

Film subtitle writing

What we produce · 14

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40 · Division

Complete film package

What we produce · 28

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How it works

Five steps, and you approve the first three

01 · Brief

You send the brief. We read your material and agree what the finished thing has to do.

02 · Scope & price

A written scope, a fixed figure and a delivery date, usually within one working day.

03 · Structure

You sign off the architecture — contents, sheet list, screen list or family plan — before production starts.

04 · Production

Work arrives in stages as it finishes, not all at the end, with two revision rounds included.

05 · Handover

Production-ready files, editable sources and the rights, all in your hands.

What it costs

Published prices, before you ask

Prices are quoted in US dollars and fixed in writing before work starts. Scope, language count and turnaround move them; volume across a programme brings them down. Fifty per cent in advance, balance on delivery, two revision rounds included, and full copyright transferred to you on final payment.

1 dayTo a scope and a price
2Revision rounds included
50%Advance, balance on delivery
YouOwn every file and right
Why clients stay

One agency instead of five freelancers

Fifteen years in production

An agency in its fifteenth year, working for publishers, institutions and founders in seven countries.

One team, one invoice

Writers, translators, designers and typesetters on the same project — nothing lost between suppliers.

A hundred-plus languages

Because translation and typesetting sit in the same building, a job can ship in several languages with matching layout.

You own everything

Full copyright transfer, editable sources and production files on final payment. Nothing resold.

Confidential by default

An NDA before anything is sent. Most of our work carries the client’s name, not ours.

Questions

What clients ask before signing

How quickly do I get a price?

Send the brief and you receive a written scope, a fixed figure and a delivery date, usually within one working day. The quote is fixed before work starts and nothing is billed that was not agreed first.

Will I see the work before I pay in full?

Yes. Fifty per cent is payable in advance and the balance on delivery. You approve the structure, then a sample section, before the bulk of the work begins, and long projects are staged so neither side carries the whole risk.

Who owns the finished work?

You do. Full copyright transfer, editable source files and press-ready or production-ready files are handed over on final payment. Nothing is resold or reused.

Is my material kept confidential?

An NDA is signed before anything is sent, and everyone on the project is bound by the same terms. Ghostwritten work carries no credit to us unless you ask for it.

How many revisions are included?

Two rounds are included in the published price. Corrections are logged against the draft rather than argued over on a call. A change of scope is quoted separately.

Do you work with clients outside India?

Yes — publishers, institutions and founders in the United States, United Kingdom, United Arab Emirates, Canada, Australia and Japan. Work is delivered by email and shared drive, quoted in US dollars and scheduled against your time zone.

Most commissioned

Twenty-six services with a page of their own

The Content Factory interior in Chennai
Marketing

Tagline to trailer

Poster copy, teaser and trailer scripts, press kit and festival material.

An editor reviewing a manuscript at the Content Factory agency in Chennai
Story development

From one line to a full story

Concept, logline, premise, theme and treatment, built before the screenplay.

Two colleagues reviewing a layout on screen
Screenplay

Structure, scenes, sequences

Original and adapted screenplays through to production and final drafts.

The Content Factory floor in Chennai
The writing floor

Forty divisions of craft

Character, plot, interval block, climax, genre, adaptation and rewrite work.

Colleagues reviewing translated work together
Dialogue

Voice, register, region

Character voice development, regional dialogue, slang and dialect writing.

The team in discussion in the studio lounge
Development documents

Bibles, lookbooks, director notes

The package a producer, studio or investor reads before saying yes.

Send a brief

Tell us what you need made

Send the brief and we reply with a scope, a fixed price and a date — usually within one working day. Whole programmes are quoted the same way as single titles.

A written scope, fixed price and date, usually within one working day.
Call the agency+91 76679 70439

info@contentfactory.in · contentfactory14@gmail.com · Chennai, Tamil Nadu, India

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