An American seed partner gives a cold deck about three minutes. In that time they are pattern-matching on four things: is the market big enough to return the fund, is this team unreasonably suited to it, is there evidence the thing works, and why now. A deck that buries any of those past slide six does not get the meeting, however good the business is.
Production-ready output in the format your printer, platform or workshop actually needs — press PDF, editable source, CAD file, font binary or deck, as the work requires.
The working files, not just the export, so your team can change the work later without coming back to us.
Copyright transfers to you on final payment. Nothing we make for you is resold or reused elsewhere.
Included in the quoted price. Corrections are logged against the draft rather than argued over on a call.
You tell us what the finished thing has to do, and send whatever material you already have.
A written scope, a fixed figure and a delivery date, usually within one working day.
You sign off the architecture before production starts, so nothing large is built on a wrong assumption.
Work arrives in stages as it finishes, not all at the end, with two revision rounds included.
Files, sources and rights in your hands, and the invoice closed.
Typical extent is 180 to 320 pages with 40 to 120 figures. A single title runs eight to fourteen weeks; a ten-title multi-grade programme runs six to nine months and is staged by grade block, so the first books are in your hands while later grades are still in draft.
Because writers, translators, designers, draughtspeople and typesetters sit in the same building in Chennai, this can be commissioned together with everything around it: translation into any of a hundred-plus languages, the figures and illustrations, the typesetting, the presentation and the production files. One schedule, one point of contact, one invoice.
Pricing is quoted in US dollars and fixed in writing before work starts. Fifty per cent is payable in advance and the balance on delivery, with long projects staged so neither side carries the whole risk. Two revision rounds are included, and copyright transfers to you in full on final payment, together with the editable source files.
A pre-seed deck argues insight and team; a seed deck argues early traction; a Series A deck argues repeatable unit economics. Sending the wrong one for your stage is the most common reason a deck fails.
US partners discount top-down market numbers on sight. We build it from customer counts and realistic contract value, show the assumptions, and let them stress-test it in the meeting rather than dismiss it.
Retention curves, payback period, gross margin and net revenue retention presented the way an analyst will rebuild them anyway — so the diligence spreadsheet confirms the deck instead of contradicting it.
Structure, prior rounds, SAFEs outstanding and post-money position stated plainly. US institutional investors need this resolved before a term sheet, not after.
The deck opens the meeting; the memo and data room close it. We prepare both, so the partner has something to circulate internally on Monday.
A send-ahead deck that reads without you, and a live deck you present. Most founders send the presentation version and lose the reader.
A seed deck is typically twelve to sixteen slides over two to three weeks: narrative and slide order approved before any design, then a rehearsal pass against the questions the deck invites. Quoted in US dollars.
Prices are fixed in writing before work begins. Scope, language count and turnaround move the figure; volume across a programme brings it down. Send the brief and you have a number within a working day.
Most single deliverables run three to fourteen weeks depending on length and complexity. Programmes are staged so early parts reach you while later parts are still in production. You get a date with the quote.
A specialist from our school & college course books team, with an editor and a production person on the same project. Everyone is bound by the same confidentiality terms.
Yes. Full copyright transfer, editable sources and production-ready files on final payment. Nothing is resold or reused.
Yes — any of a hundred-plus languages, typeset in the same studio so layout and page numbers match across editions.
Yes. Publishers, institutions and founders in the United States, United Kingdom, United Arab Emirates, Canada, Australia and Japan. Work is delivered by email and shared drive and quoted in US dollars.






Send the brief and we reply with a scope, a fixed price and a date — usually within one working day. Whole programmes are quoted the same way as single titles.
info@contentfactory.in · contentfactory14@gmail.com · Chennai, Tamil Nadu, India
Journal feed: rss.xml