Film & OTT Writing Services A–Z
+91 76679 70439 info@contentfactory.in
Content Factory — writing, design and web solutions, Chennai
Film · OTT · Screenwriting · Story · Dialogue

From idea to screen, written in one room

Concept, logline, story, treatment, screenplay, dialogue — then the series bible, the pitch deck and the lookbook a producer or a streamer actually asks for. Because translation and subtitling run in the same studio, a screenplay can leave in several languages with the dubbing script and captions already cut to platform specification.

Get a quote Jump to the index
An academic writer drafting a chapter from source references
An editor proofreading a manuscript with a fountain pen
A consultant presenting a document to colleagues
A translator timing captions across twin screens
A draughtsman dimensioning an engineering drawing
A designer selecting a colour palette for a brand
The index

Fifty divisions, from concept to final delivery

01 · Division

Story development

What we write · 15

Quote this division Back to index
02 · Division

Story writing

What we write · 31

Quote this division Back to index
03 · Division

Screenplay writing

What we write · 18

Quote this division Back to index
04 · Division

Feature film writing

What we write · 33

Quote this division Back to index
05 · Division

OTT series writing

What we write · 26

Quote this division Back to index
06 · Division

OTT series bible

What we write · 19

Quote this division Back to index
07 · Division

Episode writing

What we write · 12

Quote this division Back to index
08 · Division

Pilot episode writing

What we write · 12

Quote this division Back to index
09 · Division

Dialogue writing

What we write · 18

Quote this division Back to index
10 · Division

Character development

What we write · 18

Quote this division Back to index
11 · Division

Plot development

What we write · 16

Quote this division Back to index
12 · Division

Screenplay structure

What we write · 14

Quote this division Back to index
13 · Division

Scene writing

What we write · 15

Quote this division Back to index
14 · Division

Sequence design

What we write · 14

Quote this division Back to index
15 · Division

Film treatment

What we write · 12

Quote this division Back to index
16 · Division

Synopsis writing

What we write · 12

Quote this division Back to index
17 · Division

Logline writing

What we write · 10

Quote this division Back to index
18 · Division

Film pitch material

What we write · 20

Quote this division Back to index
19 · Division

Film lookbook

What we write · 12

Quote this division Back to index
20 · Division

Writers’ room services

What we write · 12

Quote this division Back to index
21 · Division

Script doctoring

What we write · 20

Quote this division Back to index
22 · Division

Script editing

What we write · 12

Quote this division Back to index
23 · Division

Adaptation writing

What we write · 10

Quote this division Back to index
24 · Division

Remake & format writing

What we write · 10

Quote this division Back to index
25 · Division

Short film writing

What we write · 10

Quote this division Back to index
26 · Division

Documentary writing

What we write · 10

Quote this division Back to index
27 · Division

Animation writing

What we write · 10

Quote this division Back to index
28 · Division

Children’s entertainment

What we write · 10

Quote this division Back to index
29 · Division

Genre specialisation

What we write · 30

Quote this division Back to index
30 · Division

International film writing

What we write · 10

Quote this division Back to index
31 · Division

Regional film writing

What we write · 17

Quote this division Back to index
32 · Division

Multilingual screenplay

What we write · 10

Quote this division Back to index
33 · Division

Subtitles for film & OTT

What we write · 15

Quote this division Back to index
34 · Division

Trailer & teaser writing

What we write · 10

Quote this division Back to index
35 · Division

Film marketing writing

What we write · 11

Quote this division Back to index
36 · Division

OTT marketing content

What we write · 10

Quote this division Back to index
37 · Division

Web series writing

What we write · 10

Quote this division Back to index
38 · Division

YouTube script writing

What we write · 10

Quote this division Back to index
39 · Division

Podcast writing

What we write · 10

Quote this division Back to index
40 · Division

Advertisement & commercial film

What we write · 10

Quote this division Back to index
41 · Division

Corporate film writing

What we write · 10

Quote this division Back to index
42 · Division

Music video writing

What we write · 10

Quote this division Back to index
43 · Division

Film festival writing

What we write · 10

Quote this division Back to index
44 · Division

Director & producer documents

What we write · 10

Quote this division Back to index
45 · Division

Complete film development package

What we write · 15

Quote this division Back to index
46 · Division

Complete OTT development package

What we write · 17

Quote this division Back to index
47 · Division

Film writing consulting

What we write · 10

Quote this division Back to index
48 · Division

AI-assisted film development

What we write · 10

Quote this division Back to index
49 · Division

Film & OTT localisation

What we write · 11

Quote this division Back to index
50 · Division

End-to-end writing studio

What we write · 30

Quote this division Back to index
How it works

Five steps, and you approve the first three

01 · Brief

You send the brief. We read your material and agree what the finished thing has to do.

02 · Scope & price

A written scope, a fixed figure and a delivery date, usually within one working day.

03 · Structure

You sign off the architecture — contents, sheet list, screen list or family plan — before production starts.

04 · Production

Work arrives in stages as it finishes, not all at the end, with two revision rounds included.

05 · Handover

Production-ready files, editable sources and the rights, all in your hands.

What it costs

Published prices, before you ask

Prices are quoted in US dollars and fixed in writing before work starts. Scope, language count and turnaround move them; volume across a programme brings them down. Fifty per cent in advance, balance on delivery, two revision rounds included, and full copyright transferred to you on final payment.

1 dayTo a scope and a price
2Revision rounds included
50%Advance, balance on delivery
YouOwn every file and right
Why clients stay

One agency instead of five freelancers

Fifteen years in production

An agency in its fifteenth year, working for publishers, institutions and founders in seven countries.

One team, one invoice

Writers, translators, designers and typesetters on the same project — nothing lost between suppliers.

A hundred-plus languages

Because translation and typesetting sit in the same building, a job can ship in several languages with matching layout.

You own everything

Full copyright transfer, editable sources and production files on final payment. Nothing resold.

Confidential by default

An NDA before anything is sent. Most of our work carries the client’s name, not ours.

Questions

What clients ask before signing

How quickly do I get a price?

Send the brief and you receive a written scope, a fixed figure and a delivery date, usually within one working day. The quote is fixed before work starts and nothing is billed that was not agreed first.

Will I see the work before I pay in full?

Yes. Fifty per cent is payable in advance and the balance on delivery. You approve the structure, then a sample section, before the bulk of the work begins, and long projects are staged so neither side carries the whole risk.

Who owns the finished work?

You do. Full copyright transfer, editable source files and press-ready or production-ready files are handed over on final payment. Nothing is resold or reused.

Is my material kept confidential?

An NDA is signed before anything is sent, and everyone on the project is bound by the same terms. Ghostwritten work carries no credit to us unless you ask for it.

How many revisions are included?

Two rounds are included in the published price. Corrections are logged against the draft rather than argued over on a call. A change of scope is quoted separately.

Do you work with clients outside India?

Yes — publishers, institutions and founders in the United States, United Kingdom, United Arab Emirates, Canada, Australia and Japan. Work is delivered by email and shared drive, quoted in US dollars and scheduled against your time zone.

Most commissioned

Twenty-six services with a page of their own

The team in discussion in the studio lounge
Pitch material

Deck, lookbook, producer package

The documents that get a project read, in the form the market expects.

The Content Factory interior in Chennai
Localisation

Dubbing scripts and subtitles

Multi-language versions cut to each platform’s own specification.

An editor reviewing a manuscript at the Content Factory agency in Chennai
Story development

Concept, logline, premise

World, characters and theme settled before a page of screenplay is written.

Two colleagues reviewing a layout on screen
The writers’ room

Season and episode planning

Story breaking, scene breaking and continuity, run as a room rather than a handoff.

The Content Factory floor in Chennai
Screenplay

Scene, sequence, screenplay, dialogue

Feature, OTT, web series and short film drafts through to the shooting script.

Colleagues reviewing translated work together
Series bible

What a streamer actually asks for

Premise, world, character arcs, season arc, episode summaries and future seasons.

Send a brief

Tell us what you need made

Send the brief and we reply with a scope, a fixed price and a date — usually within one working day. Whole programmes are quoted the same way as single titles.

A written scope, fixed price and date, usually within one working day.
Call the agency+91 76679 70439

info@contentfactory.in · contentfactory14@gmail.com · Chennai, Tamil Nadu, India

Everything on this site

Service pages