Subtitles built to the platform’s own specification rather than to a generic standard — character limits, line counts, frame rate, file naming and the delivery template each platform enforces. Rejected files cost a release date, and rejection is almost always a specification failure rather than a translation one. NDA signed before anything is sent, and no title or client is named anywhere.

Production-ready output in the format your printer, platform or workshop actually needs — press PDF, editable source, CAD file, font binary or deck, as the work requires.
The working files, not just the export, so your team can change the work later without coming back to us.
Copyright transfers to you on final payment. Nothing we make for you is resold or reused elsewhere.
Included in the quoted price. Corrections are logged against the draft rather than argued over on a call.
You tell us what the finished thing has to do, and send whatever material you already have.
A written scope, a fixed figure and a delivery date, usually within one working day.
You sign off the architecture before production starts, so nothing large is built on a wrong assumption.
Work arrives in stages as it finishes, not all at the end, with two revision rounds included.
Files, sources and rights in your hands, and the invoice closed.
We deliver SRT, VTT, TTML or IMSC as required, with a QC pass against the picture. Dubbing scripts and character voice adaptation are quoted alongside. From $6.50 per minute.
Because writers, translators, designers, draughtspeople and typesetters sit in the same building in Chennai, this can be commissioned together with everything around it: translation into any of a hundred-plus languages, the figures and illustrations, the typesetting, the presentation and the production files. One schedule, one point of contact, one invoice.
Pricing is quoted in US dollars and fixed in writing before work starts. Fifty per cent is payable in advance and the balance on delivery, with long projects staged so neither side carries the whole risk. Two revision rounds are included, and copyright transfers to you in full on final payment, together with the editable source files.
Send the locked picture or the file you have and Content Factory confirms the price and the delivery date, usually the same working day. NDA signed before anything is sent.
Characters per line, lines per subtitle, minimum duration, frame gap, shot-change tolerance and file naming all differ by platform. Files are built to the one you are delivering into.
A file timed at 24fps drifts against a 23.976 master by seconds across a feature. This is the commonest cause of a rejected delivery and the easiest to prevent.
Across a series, character names, honorifics, recurring phrases and on-screen text are held in a locked glossary so episode nine does not contradict episode two.
Signs, captions and foreign dialogue inside a scene are handled as a separate forced track where the platform requires it, rather than folded into the main subtitle file.
| What | Price | Turnaround |
|---|---|---|
| Indian language subtitles, per feature film | ₹25,000 | 3 working days |
| Foreign language subtitles, per feature film | ₹50,000 | 3 working days |
| Additional language on the same film | Quoted per language | parallel, no extra time |
| Trailers, promos, songs and shorts | Quoted per piece | 24 to 48 hours |
Spotting and timing are included. Multiple languages on one film run in parallel rather than in sequence, so a simultaneous multi-language release does not multiply the schedule.
₹25,000 per feature film for an Indian language, ₹50,000 for a foreign language, spotting and timing included. Other pieces are quoted per item and fixed in writing before work starts.
Three working days for a full-length feature. Trailers and promos in 24 to 48 hours. Multiple languages run at the same time.
SRT and VTT for streaming and review, EBU-STL for broadcast, timed XML for digital cinema packaging, and burnt-in where required. Tell us the pipeline and we deliver into it.
No. Every file is written by a native speaker who has watched the material and reviewed by a second. In a script you cannot read, machine errors are the ones nobody catches until the film is in a cinema.
An NDA is signed before anything is sent. Content Factory does not name titles or clients anywhere, including on this site.
Prices are fixed in writing before work begins. Scope, language count and turnaround move the figure; volume across a programme brings it down. Send the brief and you have a number within a working day.
Most single deliverables run three to fourteen weeks depending on length and complexity. Programmes are staged so early parts reach you while later parts are still in production. You get a date with the quote.
A specialist from our global language services team, with an editor and a production person on the same project. Everyone is bound by the same confidentiality terms.
Yes. Full copyright transfer, editable sources and production-ready files on final payment. Nothing is resold or reused.
Yes — any of a hundred-plus languages, typeset in the same studio so layout and page numbers match across editions.
Yes. Publishers, institutions and founders in the United States, United Kingdom, United Arab Emirates, Canada, Australia and Japan. Work is delivered by email and shared drive and quoted in US dollars.






Send the brief and we reply with a scope, a fixed price and a date — usually within one working day. Whole programmes are quoted the same way as single titles.
info@contentfactory.in · contentfactory14@gmail.com · Chennai, Tamil Nadu, India
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